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DTSTART;TZID=America/New_York:20250320T183000
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DTSTAMP:20260406T182856
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SUMMARY:Anton Bruckner & Richard Wagner
DESCRIPTION:Conductor Jakob Lehmann presents an exploration of the fascinating relationship between Anton Bruckner and Richard Wagner – a connection that was characterized by one-sided admiration and disappointed hopes. The younger revered the elder\, even if the latter did not always fulfill his few promises. For Bruckner\, however\, Wagner always remained the ‘master of all masters.’ Particular attention will be paid to the myth of Bruckner’s “Wagner symphony” and the facts behind it. Audio examples will show how performance traditions of both composers have changed over the years\, from the first recorded performances to today’s interpretations. \n\n\n\n\n\n\nJakob Lehmann on Bruckner & Wagner March 2025\n\n\n\n\n\n\n\nFor further reading: Bruckner in Bayreuth from the Anton Bruckner Institut Linz (in German)\n\n\n\n\n\n\n\nSocial hour after the evening's lecture\n\n\n\n\n\n“There is so much mythmaking going on in the 20th century\, and especially once the Third Reich started to get their hands and their ideology on Bruckner. There is so much mythmaking that has nothing to do with historical precedent – and still today – that mythmaking is influencing the actual musical interpretations of these pieces. And what I think may not really be clear enough to us is that with many other composers\, we have tried to make a clean slate: But in Wagner and Bruckner\, that just hasn’t happened yet in the way that it maybe should have happened. And this is something that I’ve personally been very interested in exploring.” \nAbout the speaker: Conductor Jakob Lehmann is the Artistic Director of the chamber orchestra Eroica Berlin\, and Associate Artistic Director of New York based Bel canto festival Teatro Nuovo.  The week after his appearance with the WSNY he will lead period instrument ensemble Juilliard415 in a performance of Beethoven’s Overture to The Creatures of Prometheus\, Symphony No. 1 and Symphony No. 2\, live at Alice Tully Hall\, and streamed on Juilliard.live and WQXR on Saturday\, March 29 at 7:30 p.m. \nThe event will be followed by a social hour with refreshments. \nSource Material: Mr. Lehmann emphasized the importance of the book Bruckner in Bayreuth\, a publication of the Anton Bruckner Institut Linz (2019\, Musikwissenschaftlicher Verlag Wien – in German). \nLivestream: the event will be livestreamed (viewable up to 36 hours after the start of the event). WSNY Members will receive livestream link automatically by e-mail; no need to pre-register. \nAccessibility: The Opera America building has ground-level entry with elevators to the 7th floor.  Wheelchair accessible; modular seating will be arranged to accommodate wheelchairs and walkers. Handicap-accessible restrooms are available on the same floor. The venue is located on the west side of 7th Avenue between 28th-29th Streets\, closer to 29th Street. Sidewalk curb cuts at the 29th Street corner are uneven; for easier access and tactile paving enter from the 28th Street corner (at the downtown #1 subway station).
URL:https://wagnersocietyny.org/event/anton-bruckner-richard-wagner/
LOCATION:National Opera Center\, 330 Seventh Avenue\, 7th Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Lecture
ATTACH;FMTTYPE=image/jpeg:https://wagnersocietyny.org/wp-content/uploads/2025/01/Lehmann-headshot-small.jpg
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DTSTART;TZID=America/New_York:20260211T183000
DTEND;TZID=America/New_York:20260211T193000
DTSTAMP:20260406T182856
CREATED:20251103T154330Z
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SUMMARY:Wagner/Brahms: Music\, Culture\, and Politics
DESCRIPTION:Wagner/Brahms: Music\, Culture\, and Politics: A comparative study of two paragons of 19th century German romanticism. \nThis lecture will explore the relationship between two figures who were arguably the most important German composers of the late nineteenth century. Although early on Wagner and Brahms had several positive interactions and even expressed mutual admiration\, the two composers became caught up in a broader culture war\, pitted against each other by their respective followers. In this conflict\, Wagner was often depicted as modern and progressive and Brahms as backward-looking and conservative. But their musical languages\, as well as their cultural and political values\, suggest the opposite may be the case. \nAbout the speaker: Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University in New York\, where he has taught since 1982.  He has also been a guest professor at the University of Freiburg in Germany\, Yale University\, Princeton University\, and the University of Pennsylvania and has lectured on music throughout the United States\, and in England\, France\, Spain\, Germany\, and China. \nProfessor Frisch is a specialist in the music of composers from the Austro-German sphere in the nineteenth and twentieth centuries\, ranging from Schubert to Schoenberg.  He has written numerous articles and two books on Brahms\, including Brahms and the Principle of Developing Variation (1984) and Brahms: the Four Symphonies (1996\, 2003).  He served as editor of the volume Brahms and His World (1990\, 2009) and was the founding president of the American Brahms Society in 1983.  He is the co-author\, with George S. Bozarth\, of the Brahms article in the second edition of the New Grove Dictionary of Music and Musicians (2000). Professor Frisch’s publications on Schoenberg include the book The Early Works of Arnold Schoenberg\, 1893-1908 (1993) and the edited volume Schoenberg and His World (1999).  He also edited and contributed to a volume on Schubert’s music\, Schubert: Critical and Analytical Studies (1986). His book German Modernism: Music and the Arts (2005) investigates the relationships between music and its cultural context in Austria and Germany during the period 1880-1915. \nThe event will be followed by a social hour with refreshments. \nLivestream: the event will be livestreamed (viewable up to 36 hours after the start of the event). WSNY Members receive livestream link automatically by e-mail; no need to pre-register. \nLocation: NOTE CHANGE: this event will take place in the Rehearsal Hall on the 7th floor of the National Opera Center\, to the left as one enters at reception.
URL:https://wagnersocietyny.org/event/wagner-brahms-music-culture-and-politics/
LOCATION:National Opera Center\, 330 Seventh Avenue\, 7th Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Lecture
ATTACH;FMTTYPE=image/jpeg:https://wagnersocietyny.org/wp-content/uploads/2025/11/Headshot-Frisch.jpeg
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