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SUMMARY:Rienzi: A Critical Introduction
DESCRIPTION:Two Wagner experts will engage in a conversation about his early success\, Rienzi\, der letzte der Tribunen.  Topics will include the plot\, the source material\, reflections on the influences of then-current opera composition\, and indications of the innovations to come in Wagner’s next work\, Der fliegende Holländer. \nJohn Deathridge’s many publications about Wagner include Wagner’s ‘Rienzi’: a Reappraisal based on a Study of the Sketches and Drafts (Oxford 1977)\, still the only academic monograph devoted exclusively to the opera. John lives in Cambridge England where he was a Fellow of King’s College and Lecturer (then Reader) at the University from 1983 to 1996\, after which he was appointed to the King Edward VII Chair of Music at King’s College London. Now Emeritus after retiring in 2013\, he continues to pursue his interest in performance and research. His English translation of Der Ring des Nibelungen was published by Random House as a Penguin Classic in 2018 and his current work includes a fresh look at Beethoven and the Enlightenment. Connections between Beethoven and Rienzi – and the Bayreuth Festival as a whole – will inform part of the discussion. \nJohn J. H. Muller IV is a faculty emeritus of The Juilliard School\, where for many years he taught a wide variety of courses in the music history department. From 2010 to 2019\, he presented lectures for the Wagner Society of New York at the Bayreuth Festival and for other Wagner Societies in the United States. Prof. Muller has also been a noted speaker for the Metropolitan Opera Guild and the American Psychoanalytic Association. His essay on Parsifal appeared in the book\, Wagner Outside the Ring\, and a chapter on Tristan und Isolde was included in Opera on the Couch\, published in 2022. \nLivestream: the event will be livestreamed via Zoom only; no replay available. \nWSNY Members receive livestream link automatically by e-mail; no need to purchase.
URL:https://wagnersocietyny.org/event/rienzi-a-critical-introduction/
CATEGORIES:Lecture
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LOCATION:https://wagnersocietyny.org/event/rienzi-a-critical-introduction/
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DTSTART;TZID=Europe/Berlin:20260816T103000
DTEND;TZID=Europe/Berlin:20260816T130000
DTSTAMP:20260715T044645
CREATED:20260714T201528Z
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SUMMARY:Parsifal Lecture in Bayreuth: Thomas Launius
DESCRIPTION:Join us for a two-part lecture from Dr. Thomas Launius\, that includes a short break for a sandwich and soft-drink lunch. \n10.30am – 11:30am Part 1 Morning Session: Wagner’s Wolfram\n\n\n\n11.30am – 12pm Lunch Break\n\n\n\n12pm – 1:00pm Part 2 Afternoon Session: You Become What You Reject\n\n\n\n\n\n\n  \nMorning Session: Wagner’s Wolfram — How a Medieval Grail Knight Became an Operatic Myth \n\n\nRichard Wagner didn’t simply adapt Wolfram von Eschenbach’s Parzival — he dismantled it and rebuilt it according to a completely different logic. In this opening session\, mythologist and storyteller Dr. Thomas Launius applies the tools of the Historical-Critical Method to Wagner’s 1877 libretto\, tracing the specific decisions Wagner made in transforming characters\, compressing settings\, and fundamentally reconceiving the Grail itself. What emerges is not just a source comparison\, but a portrait of a composer working as a mythmaker — selectively suppressing\, amplifying\, and reinventing his medieval inheritance to produce something that exceeds its sources in every direction. Listeners familiar with the opera will find the work defamiliarized in productive ways; those new to the medieval tradition will discover that Wagner’s Parsifal is\, among other things\, a brilliant act of creative concealment. \n\n\nAfternoon Session: You Become What You Reject — How Wagner Built the Structure and Brought the Fire \n\n\nHaving dismantled Wolfram von Eschenbach’s medieval epic\, Wagner faced a formidable challenge: what he had left lacked structure and momentum. In this afternoon session\, Dr. Thomas Launius uses the Historical-Critical Method to reveal how Wagner reached into the deep riches of the European fairy tale tradition. Drawing on ancient narrative patterns\, Wagner found the structural spine and the energetic engine his opera required. The result is a work of extraordinary compositional intelligence — one in which a single bewitched figure connects every character in the drama\, and a single moral test is deployed four times with escalating intensity\, each more demanding than the last. And a delicious irony is revealed: in the very act of rejecting Wolfram\, Wagner became more like Wolfram than Wolfram himself ever could have been. \n\n\n\nThomas Launius was born into a military family and spent his early years living in England\, Germany\, Japan\, and the United States. He came of age in Louisiana\, earning a degree in Physics from Louisiana State University alongside a minor in Vocal Performance. Trained as a tenor\, he sang in university and regional opera productions for five years before turning to the academic study of story\, symbol\, and myth. He later earned a doctorate in Mythology and spent over three decades as a professional storyteller\, speaker\, and mentor working at the intersection of narrative\, meaning\, and human transformation. \n\n\nIn 2017\, Thomas fulfilled a lifelong dream by relocating to Bavaria\, not far from Munich. Since 2019\, he has worked as a professional tour guide specialising in historically rich and mythologically resonant experiences throughout Munich\, Salzburg\, and especially Neuschwanstein Castle — the fairytale fortress built by King Ludwig II as a living tribute to Richard Wagner and his operas. \n\n\nHis encounter with Wagner through Neuschwanstein opened into a sustained scholarly engagement with Wagner’s work\, and particularly with Parsifal. Applying the Historical-Critical Method — the rigorous interpretive framework developed by German biblical scholars and since extended across literary and cultural analysis — Thomas brings source criticism\, redaction criticism\, and social-historical analysis to bear on Wagner’s libretto\, situating the opera within the full depth of its medieval sources\, its 19th-century intellectual context\, and its ongoing challenge to 21st-century audiences. His work draws on the mythological scholarship of Paul Ricoeur\, Max Lüthi\, and Joachim Kaiser\, among others\, and is animated by the conviction that genuine critical understanding deepens rather than diminishes our encounter with great art. \nThomas is a member of the Munich Wagner Society — the München Wagner Verband\, the second oldest Wagner Society in the world — and lectures to Wagner Societies internationally. \n  \nThis in-person-only event will take place at the Arvena Kongress Hotel in Bayreuth\, Germany. \nTickets are $25 in advance online. A sandwich and soft-drink lunch is included. Pre-registration is required\, and ends on August 13.
URL:https://wagnersocietyny.org/event/parsifal-lecture-in-bayreuth-thomas-launius/
LOCATION:Arvena Kongress Hotel\, Eduard-Bayerlin Str. 5a\, Bayreuth\, 95445\, Germany
CATEGORIES:Bayreuth,Lecture
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