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X-WR-CALDESC:Events for Wagner Society of New York
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DTSTART:20220101T000000
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DTSTART;TZID=UTC:20230319T000000
DTEND;TZID=UTC:20230319T160000
DTSTAMP:20260406T002315
CREATED:20230929T185754Z
LAST-MODIFIED:20230929T185754Z
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SUMMARY:2023 Lohengrin Seminar
DESCRIPTION:Description: \nOur 42nd annual seminar\, a half-day deep-dive into the world of Wagner’s Swan Knight. Moderated by composer and conductor Victoria Bond\, with a presentation by Dr. Katherine Syer “Wagner’s Lohengrin: Blending Art and Life\, On Stage and Off”; an interview with new production director François Girard; a roundtable with the Met cast featuring Günther Groissböck\, Brian Mulligan\, Piotr Beczała\, and Tamara Wilson; a panel discussion with Met Orchestra Members Musicians Jason Haaheim\, Timpani\, Principal (The Rosaline Miranda Chair); Jessica Phillips\, Clarinet (The Ruth and Harvey R. Miller Charitable Fund Chair); Thomas Lausmann\, Director of Music Administration; and William Short\, Bassoon\, Principal; the program ended with Prof. Jeffrey Swann on “Good and Evil: The Musical Duality of Lohengrin”. \n\n\n\n\n\n\nMet Cast Roundtable: Günther Groissböck\, Brian Mulligan\, Piotr Beczała\, Tamara Wilson\, interviewed by Victoria Bond\n\n\n\n\n\n\n\n“The extent to which being exposed night after night to the greatest voices in the world influences our playing and our relationship to music” – William Short (bassoon)\, discussing the difference between symphonic and opera playing. With The Met Orchestra Roundtable: Jason Haaheim\, Timpani; Jessica Phillips\, Clarinet; Thomas Lausmann\, Director of Music Administration; William Short\, Bassoon\n\n\n\n\n\n\n\n“Anything we play has a purpose. In Lohengrin\, every moment ties into the story telling and ties into what the singers are doing. That to me is incredibly meaningful.” – Thomas Lausmann (Met Opera Director of Music Administration)\n\n\n\n\n\n\n\n“The reason why the Met Orchestra in particular is so incredibly flexible is because we're always listening to that voice; there's something about the breath and the tone quality\, especially with Wagnerian voices\, that we're trying to follow.  There's never a dull moment in opera; there's always something wonderful happening.” – Jessica Phillips (Clarinet)\n\n\n\n\n\n\n\nBaritone Brian Mulligan (Herald)\n\n\n\n\n\n\n\nSoprano Tamara Wilson (Elsa)\n\n\n\n\n\n\n\nTenor Piotr Beczała (Lohengrin)\n\n\n\n\n\n\n\nTenor Errin Duane Brooks (Nobleman)\n\n\n\n\n\n\n\nBass Günther Groissböck (King Heinrich)\n\n\n\n\n\n\n\nDirector François Girard discusses his new production of Lohengrin\n\n\n\n\n\n\n\nJeffrey Swann\, NYU Steinhardt – piano faculty\, concert pianist and lecturer\n\n\n\n\n\n\n\nKatherine Syer on Lohengrin: Blending Art & Life\, Onstage & Off\n\n\n\n\n\nYouTube Links: \n \n \n \n  \nDownload Lohengrin Seminar Program \n 
URL:https://wagnersocietyny.org/event/2023-lohengrin-seminar/
LOCATION:The Leonard Nimoy Thalia\, Peter Norton Symphony Space\, 2537 Broadway at W 95th St\, New York\, NY\, 10025\, United States
CATEGORIES:Seminar
ATTACH;FMTTYPE=image/jpeg:https://wagnersocietyny.org/wp-content/uploads/2023/09/Featured-Photo-Neuschwannstein.jpg
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