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DTSTAMP:20260513T095821
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SUMMARY:Seminar: Tristan und Isolde
DESCRIPTION:Join us for our annual tradition: a half-day deep-dive exploration into one of Wagner’s towering masterpieces\, presented in conjunction with the Metropolitan Opera’s current season. This year we turn our attention to Tristan und Isolde (on stage 9 March – 2 April\, 2026) in a new production by Yuval Sharon. \nOur seminar offers the perfect opportunity to deepen your relationship with the work\, whether you’re a seasoned Wagnerian or discovering Tristan for the first time. Expect illuminating lectures from leading scholars and musicologists\, insights into the opera’s historical\, philosophical\, and musical dimensions\, and a dynamic roundtable with members of the cast and creative team. These gatherings are more than just educational—they’re a chance to connect with fellow opera lovers in a spirit of shared curiosity and discovery. Come ready to engage\, reflect\, and be transformed by one of the most profound love stories ever set to music. \nProgram: \nDoors open 11:15 a.m.; Programs 12:00 noon – 4:15 p.m. with breaks. Complimentary refreshments before the program and during breaks. \n12:00 p.m.  Welcome by Chairman John Ryan and Moderator F. Peter Phillips \n12:15 – 1:15 p.m. Prof. Karol Berger\, “Tristan und Isolde:  Music Drama as Opera”  \n1:15 – 1:30 p.m. Refreshment Break \n1:30 – 2:30 p.m. Met Cast Roundtable  \nEkaterina Gubanova\, Ryan Speedo Green\, Tomasz Konieczny\, Michael Spyres  \n2:30 – 2:45 p.m. Refreshment Break \n2:45 – 3:30 p.m. Prof. Wayne Oquin\, “Wagner’s Tristan und Isolde: Harmony as the Embodiment of Longing”  \n3:30 – 4:15 p.m. Will Crutchfield\, “150 Years of Singing Tristan”  \n  \nPlan ahead & Enhance your Experience: \nCheck out director Yuval Sharon‘s book A New Philosophy of Opera – available in our shop \nFind us at an intermission meet-up for whichever performance you’re attending \nDeepen your understanding with this five-part course in collaboration with Juilliard Extension\, taught by John J. H. Muller IV\, Faculty Emeritus\, The Juilliard School. \nContinue the conversation: join us for a gathering after the seminar at Reichenbach Hall for drinks and dinner. \nTicketing: \nWSNY Members: $60\, VIP Seating $200\, Non-WSNY Member $85\, WSNY Student Members: Free\nLivestream $30 – viewable live\, or up to 36 hours after the event.
URL:https://wagnersocietyny.org/event/seminar-tristan-und-isolde/
LOCATION:Scandinavia House\, 58 Park Ave.\, New York\, NY\, 10016\, United States
CATEGORIES:Seminar
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241208T120000
DTEND;TZID=America/New_York:20241208T161500
DTSTAMP:20260513T095821
CREATED:20240904T234008Z
LAST-MODIFIED:20241206T160402Z
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SUMMARY:Seminar: Die Frau ohne Schatten
DESCRIPTION:Photo: Ken Howard / The Metropolitan Opera \nThis is the Society’s annual “deep dive” into a Wagner-related work currently in the repertory of the Metropolitan Opera.  This year we will visit a work that many regard as Richard Strauss’s masterpiece: Die Frau ohne Schatten.  Join us in a conversation about Richard Strauss’s most richly scored and opulently exotic work\, with a highly symbolic and intellectual libretto by Hugo von Hofmannsthal\, a mixture of fairy-tale\, magic\, and Freudian psychology. \nSpeakers include Prof. Bryan Gilliam of Duke University\, Dr. Anna Balas of the New York Psychoanalytic Society and Institute\, Prof. Larry Wolff of New York University\, and our very popular Singers’ Roundtable featuring members of the cast of the Met production.  Critic and lecturer David Shengold will return as our Moderator. \nProgram: \nPDF Download: WSNY Die Frau ohne Schatten Seminar Program \n\n\n\n12:00 p.m.\nWelcome by Chairman John Ryan and Moderator David Shengold\n\n\n12:05 – 12:55 p.m.\nProf. Larry Wolff\, “Die Frau ohne Schatten\, World War One\, and the Departure of Emperors and Empresses”\n\n\n12:55 – 1:15\nbreak\n\n\n1:15 – 2:00 pm\nDr. Anna Balas\, “Shadowless Women: A Psychoanalytic Perspective”\n\n\n2:00 – 2:15 p.m.\nbreak\n\n\n2:15 – 3:00 p.m.\nMet Cast Roundtable: \nMichael Volle (Barak the Dyer)\nLise Lindström (Dyer’s Wife)\nElza van den Heever (Empress)\nJessica Faselt (Voice of the Falcon) \nother cast members TBA \n\n\n\n3:00 – 3:15 p.m.\nbreak\n\n\n3:15 – 4:00 p.m.\nProf. Bryan Gilliam\, “Die Frau ohne Schatten and the Problem of Marriage”\n\n\n\n  \nSpend the day exploring an opera that author Sherrill Hahn Pantle said “stands before the audiences of the last quarter of the twentieth century as the incarnation of a lost innocence and the realization of a lost hope.” \nBooks and other items relating to Strauss and Wagner will be available for sale and refreshments will be served. Continue the conversation over dinner or a drink: for post-event gatherings\, we recommend Bohemian Spirit\, the Czech restaurant located on the first floor of Bohemian National Hall. \nDiscount Tickets: WSNY Members get 15% off the Met’s run of Die Frau ohne Schatten this season – check your email for details. \nLivestream is available; or watch up to 36 hours after the program (midnight Tuesday\, December 10). \nAbout the speakers: \n\n\n\n\nAnna Balas MD is a psychiatrist and psychoanalyst for adults and children in private practice on the UES in Manhattan. She is a training and supervising analyst at the New York Psychoanalytic Society and Institute\, the oldest in the US. She teaches on Normal and Pathological Narcissism and on Psychic Trauma. Dr. Balas is also Associate Professor at the Payne Whitney Division of the Weill Cornell Medical Center. She has an interest in transcultural factors and creativity. She is the author of a chapter entitled “Yearning for Intimacy: Bela Bartok’s Duke Bluebeard’s Castle” in a volume entitled Opera on the Couch: Music\, Emotional Life and Unconscious Aspects of the Mind\, editors S. Goldberg and L. Rather (Routledge\, 2022). \n\n\nDavid Shengold is a critic and lecturer and resides in New York City. He regularly writes for Opera (with Opera News) as well as Opéra Magazine\, Opernwelt and other publications. He has done program essays for companies including the Metropolitan Opera\, Lyric Opera of Chicago\, Washington National Opera\, Royal Opera House Covent Garden\, and the Wexford and Glyndebourne festivals.  \n\n\n\n\nBryan Gilliam Ph.D.  is Professor Emeritus at Duke University (Department of Music and German). He has published five books on Richard Strauss\, most recently Rounding Wagner’s Mountain: Richard Strauss and Modern German Opera (Cambridge University Press). He is writing a sixth one on Salome for Oxford Keynotes. Beyond scholarly venues\, he has given lectures at various national and international festivals such as Bayreuth\, Salzburg\, and Mostly Mozart\, among others; as well as opera and concert venues: Lincoln Center Great Performances\, New York Philharmonic\, American Symphony Orchestra\, Philadelphia Orchestra\, Santa Fe Opera\, and the San Francisco Opera. Besides Strauss\, he has published on Anton Bruckner\, Kurt Weill\, and Erich Wolfgang Korngold. \n\n\nLarry Wolff Ph.D. is Julius Silver Professor of History at New York University.  At NYU he has previously served as Executive Director of the Remarque Institute and as Co-Director of NYU Florence at Villa La Pietra.  His most recent book (a book about Die Frau ohne Schatten) is The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy (2023).  His books also include The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon (2016)\, The Idea of Galicia: History and Fantasy in Habsburg Political Culture (2010)\, and Inventing Eastern Europe:  The Map of Civilization on the Mind of the Enlightenment (1994).  He writes frequently about opera\, publishing essays and reviews in the Times Literary Supplement\, the New York Review of Books\, the New York Times\, the New Yorker\, the Los Angeles Review of Books\, and the Hudson Review.  He is a member of the American Academy of Arts and Sciences. \n\n\n\n\nVenue & Accessibility: Bohemian National Hall\, 321 East 73rd Street (between 1st Street-2nd Avenue)\, Third Floor \nThere are smooth sidewalk cutouts at 73rd & Second Ave.; those at First Ave. are uneven. Look for the access ramp to Bohemian Spirit Restaurant to the left of the Hall; the venue is fully accessible. WSNY Seminar is on the 3rd Floor\, via elevators\, and seating can be arranged to accommodate walkers and wheelchairs. ADA compliant restrooms are conveniently located on the same floor.
URL:https://wagnersocietyny.org/event/diefrauseminar/
LOCATION:Bohemian National Hall\, 321 E 73rd St.\, Third Floor\, New York\, 10021\, United States
CATEGORIES:Artist Talk,Seminar
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231210T120000
DTEND;TZID=America/New_York:20231210T163000
DTSTAMP:20260513T095821
CREATED:20231005T022811Z
LAST-MODIFIED:20231005T022811Z
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SUMMARY:Tannhäuser Seminar
DESCRIPTION:Tannhäuser Seminar\n“I still owe the world a Tannhäuser” – Richard Wagner \nA half-day exploration of Wagner’s opera\, our annual seminar offers a deep-dive into the work and coincides with the Met Opera production this winter. \n\n\n\n\n\n\n“Remember\, composers do not always develop stylistically in a linear manner. For instance\, the most forward-looking scene in Tannhäuser is the Rome Narrative. It's the only place where Wagner has a variety of motifs unfolding in the orchestra\, where the vocal part is really written in response to the text. There's nothing else like it in the piece: that was there in 1845; that wasn't changed later.” - John J. H. Muller IV\, “Tannhäuser: Thoughts on the Different Versions”\n\n\n\n\n\n\n\nMet Cast Roundtable: Elza van den Heever (Elisabeth)\, Ekaterina Gubanova (Venus)\, George Zeppenfeld (Landgraf)\, Christian Gerhaher (Wolfram) \n\n\n\n\n\n\n\n"I think even for [Venus]\, [Tannhäuser] is special\, he's not like any other mortal. He's an artist\, he's an exceptional artist\, and she feels for him. What I like thinking when I'm in it\, when I'm on stage with all these manipulations and mood changes that she has\, I like thinking that there's a fight inside her between a woman and a goddess. So there is something still in her that is very womanlike\, very real. And then the goddess takes over." - Ekaterina Gubanova (Venus)\n\n\n\n\n\n\n\n“Isn't it interesting that mostly in Wagner operas\, it's mostly not the fathers who care for the daughters? It is the uncle\, this main positive relationship. You look at Daland\, and also at Pogner\, they are only busy to get them married - with some advantage for themselves. So maybe Wagner is mirroring his own life in many of his operas. He doesn't have a good idea of fathers. [...] it's always problematic.” - Georg Zeppenfeld\n\n\n\n\n\n\n\n"It's very intimate\, I love working with Georg [Zeppenfeld]\, because he does feel very fatherly to me. [laughs] It's that awkward thing when you're trying to talk to your parents about relationships. It is awkward\, but beautiful and intimate\, and I love this tiny little interaction. But also during the Singerfest and during this awful dismantlement of the situation we're in\, we're sort of still in character. We never break character\, that's really nice\, to work with someone who's so committed on stage. I love it." - Elza van den Heever (Elisabeth)\n\n\n\n\n\n\n\n"The tragic origin of this opera I think is a little bit in the last scene of the first act: showing that Wolfram has to re-invite [Tannhäuser]\, get him back\, in order to see Elisabeth again: which he needs - to see her - because he's so infatuated. But on the other hand he knows: it will be the reunion of Tannhäuser and Elisabeth\, because she loves him\, and he maybe loves her as well. So it is a tragic decision he [Wolfram] has to take. Out of this decision\, I think\, the whole horror in the second act and third act\, certainly\, has its origin." - Christian Gerhaher (Wolfram)\n\n\n\n\n\n\n\nOn the clarinet/bassoon/horn ensemble playing: "It's hard in the pit because usually the horns and clarinets are really far apart. For Tannhäuser we're a little closer\, but not close enough that we can really fit into each other's sounds. But when we rehearsed downstairs\, the horns were right behind the clarinets: so it was really easy to start off on the right foot\, and get everyone listening the right way and trying to blend\, so that when we got into the pit\, even though there's more distance\, we're still listening for the same things\, we're still thinking about it the same way." - Anton Rist\, Principal Clarinet\n\n\n\n\n\n\n\n"[Tannhäuser] is really satisfying because it's technical\, but yet you can hear the clarity of it\, and also in this opera\, Wagner is very kind to strings. Because usually it's so heavy throughout\, especially Meistersinger. This one is so kind\, because the first act is hardest. The second act is challenging but it's shorter. And then the third act: we're on vacation!" - Wen Qian\, Violin\n\n\n\n\n\n\n\n"The horn is lucky in the orchestra\, because we are a brass instrument\, but we also really are a woodwind element as well. And it's such a pleasure to play both sides of the colors. [...] In Tannhäuser\, [Wagner] says 1st and 2nd Horn\, and 3rd and 4th Horns are actually 1st and 2nd Waldhorn. Wagner wrote for 2-valve Horn\, and valveless horn. He wanted to achieve smoothness in ther lyricism. So sometimes 3rd and 4th horn are playing by themselves with the woodwinds." - Anne M. Scharer\, French Horn\n\n\n\n\n\n\n\n"I have written in my part: I know who's singing during the song contest. I know who's singing\, and Wagner's writing actually changes depending on which character is singing. For example Wolfram\, every time he sings\, the harp part: he uses the full range of the instrument: lots of arpeggios that start from the bass\, all the way up to the treble of the instrument. As opposed to when Tannhäuser or Biterolf are singing\, it's more of a repetitive\, sort of plucking texture. And so every time I'm playing\, I know who's singing\, and I try to keep that in mind: I'm not just playing the notes on the page\, I'm trying to show the different character that is singing at that time." - Hannah Cope\, Principal Harp\n\n\n\n\n\n\n\nOn the Castellucci Tannhäuser production (2017 Munich\, 2023 Salzburg): "Sometimes the stage pictures are very beautiful\, sometimes merely puzzling - at least on a first watching. [...] in the final act\, Castellucci brings his own agenda to the foreground\, falling back on a practice of his I call "clinical humanism": his use of technical imagery\, such as chemical formulas\, to remind a viewer of the universal and immutable physical that affect every human body." -  Susan Brodie\, “Recent Tannhäuser Productions: Conflicts between Individual Desires and the Common Good”\n\n\n\n\n\n\n\nMembers and guests browse the books and merchandise for sale.\n\n\n\n\n\nProgram:\n12:00 noon: Introduction by David Shengold\, music critic and lecturer \n12:05 – 12:55 pm: John J. H. Muller IV “Tannhäuser: Thoughts on the Different Versions” \nTannhäuser contains elements drawn from the traditions of 19th-century opera as well as more forward-looking stylistic features. A study of the versions of the work\, spanning a period of over thirty years\, demonstrates Wagner’s growth as a composer and dramatist. \n1:15 – 2:00 pm: Met Cast Roundtable \nElza van den Heever (Elisabeth)\nChristian Gerhaher (Wolfram)\nEkaterina Gubanova (Venus)\nGeorge Zeppenfeld (Landgraf)\nother cast members TBC \n2:15 – 3:05  pm: Met Orchestra Musicians Roundtable \nHannah Cope\, Principal Harp\nWen Qian\, Violin\nAnton Rist\, Principal Clarinet\nAnne M. Scharer\, French Horn \n3:20 – 4:10 pm: Susan Brodie\, “Recent Tannhäuser Productions: Conflicts between Individual Desires and the Common Good” \nDownload a PDF of the program here. \nBooks & Merchandise for sale. Refreshments served. Doors open at 11:30 a.m. \nIn-person & livestreamed (viewable online through midnight Dec. 12)\n \nVenue & Accessibility: Bohemian National Hall\, 321 East 73rd Street (between 1st Street-2nd Avenue)\, Third Floor \nThere are smooth sidewalk cutouts at 73rd & Second Ave.; those at First Ave. are uneven. Look for the access ramp to Bohemian Spirit Restaurant to the left of the Hall; the venue is fully accessible. WSNY Seminar is on the 3rd Floor\, via elevators\, and seating can be arranged to accommodate walkers and wheelchairs. ADA compliant restrooms are conveniently located on the same floor.
URL:https://wagnersocietyny.org/event/tannhaeuserseminar/
LOCATION:Bohemian National Hall\, 321 E 73rd St.\, Third Floor\, New York\, 10021\, United States
CATEGORIES:Seminar
ATTACH;FMTTYPE=image/jpeg:https://wagnersocietyny.org/wp-content/uploads/2023/10/Tannhauser-prod-pic-credit-Marty-Sohl-sm.jpg
ORGANIZER;CN="Wagner Society of New York":MAILTO:info@wagnersocietyny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230319T000000
DTEND;TZID=UTC:20230319T160000
DTSTAMP:20260513T095821
CREATED:20230929T185754Z
LAST-MODIFIED:20230929T185754Z
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SUMMARY:2023 Lohengrin Seminar
DESCRIPTION:Description: \nOur 42nd annual seminar\, a half-day deep-dive into the world of Wagner’s Swan Knight. Moderated by composer and conductor Victoria Bond\, with a presentation by Dr. Katherine Syer “Wagner’s Lohengrin: Blending Art and Life\, On Stage and Off”; an interview with new production director François Girard; a roundtable with the Met cast featuring Günther Groissböck\, Brian Mulligan\, Piotr Beczała\, and Tamara Wilson; a panel discussion with Met Orchestra Members Musicians Jason Haaheim\, Timpani\, Principal (The Rosaline Miranda Chair); Jessica Phillips\, Clarinet (The Ruth and Harvey R. Miller Charitable Fund Chair); Thomas Lausmann\, Director of Music Administration; and William Short\, Bassoon\, Principal; the program ended with Prof. Jeffrey Swann on “Good and Evil: The Musical Duality of Lohengrin”. \n\n\n\n\n\n\nMet Cast Roundtable: Günther Groissböck\, Brian Mulligan\, Piotr Beczała\, Tamara Wilson\, interviewed by Victoria Bond\n\n\n\n\n\n\n\n“The extent to which being exposed night after night to the greatest voices in the world influences our playing and our relationship to music” – William Short (bassoon)\, discussing the difference between symphonic and opera playing. With The Met Orchestra Roundtable: Jason Haaheim\, Timpani; Jessica Phillips\, Clarinet; Thomas Lausmann\, Director of Music Administration; William Short\, Bassoon\n\n\n\n\n\n\n\n“Anything we play has a purpose. In Lohengrin\, every moment ties into the story telling and ties into what the singers are doing. That to me is incredibly meaningful.” – Thomas Lausmann (Met Opera Director of Music Administration)\n\n\n\n\n\n\n\n“The reason why the Met Orchestra in particular is so incredibly flexible is because we're always listening to that voice; there's something about the breath and the tone quality\, especially with Wagnerian voices\, that we're trying to follow.  There's never a dull moment in opera; there's always something wonderful happening.” – Jessica Phillips (Clarinet)\n\n\n\n\n\n\n\nBaritone Brian Mulligan (Herald)\n\n\n\n\n\n\n\nSoprano Tamara Wilson (Elsa)\n\n\n\n\n\n\n\nTenor Piotr Beczała (Lohengrin)\n\n\n\n\n\n\n\nTenor Errin Duane Brooks (Nobleman)\n\n\n\n\n\n\n\nBass Günther Groissböck (King Heinrich)\n\n\n\n\n\n\n\nDirector François Girard discusses his new production of Lohengrin\n\n\n\n\n\n\n\nJeffrey Swann\, NYU Steinhardt – piano faculty\, concert pianist and lecturer\n\n\n\n\n\n\n\nKatherine Syer on Lohengrin: Blending Art & Life\, Onstage & Off\n\n\n\n\n\nYouTube Links: \n \n \n \n  \nDownload Lohengrin Seminar Program \n 
URL:https://wagnersocietyny.org/event/2023-lohengrin-seminar/
LOCATION:The Leonard Nimoy Thalia\, Peter Norton Symphony Space\, 2537 Broadway at W 95th St\, New York\, NY\, 10025\, United States
CATEGORIES:Seminar
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211031T120000
DTEND;TZID=UTC:20211031T160000
DTSTAMP:20260513T095821
CREATED:20231005T171325Z
LAST-MODIFIED:20231005T171325Z
UID:10000357-1635681600-1635696000@wagnersocietyny.org
SUMMARY:Die Meistersinger Seminar
DESCRIPTION:Wagner Society of New York presented its 41st Annual Seminar\, Die Meistersinger von Nürnberg. This was our sixth Meistersinger Seminar; previous seminars took place in 1985 (Nathaniel Merrill production\, 1959–1985)\, 1993 (current Schenk/Schneider-Siemssen production)\, 2001\, 2007\, and 2014. \n \n12:00 p.m. Introduction: Victoria Bond\, Moderator. Composer\, Conductor\, Lecturer\n12:05 – 12:50 Jeffrey Swann\, Ph.D.\, concert pianist and lecturer;\n“Dynamic Tension in Meistersinger”\n1:00 – 1:50 Victoria Bond: “Inspiration for Wagner’s opera: Lortzing’s Hans Sachs”\n2:00 – 2:50 “View from the Pit”: Met Orchestra Musicians \nJoe Anderer (Former) Principal Horn\nEvan Epifanio Principal Bassoon\nIra Lieberman (Retired) First Violin\nStephanie Mortimore Principal Piccolo \n3:00 – 3:50 “Met Cast Roundtable” \nLise Davidsen\, soprano (Eva)\nMichael Volle\, baritone (Hans Sachs) \n3:50 – 4:00 Discussion \nProgram Download \n  \nLise Davidsen & Michael Volle\n \n  \nJeffrey Swann “Dynamic Tension in Meistersinger”
URL:https://wagnersocietyny.org/event/die-meistersinger-seminar/
LOCATION:The Leonard Nimoy Thalia\, Peter Norton Symphony Space\, 2537 Broadway at W 95th St\, New York\, NY\, 10025\, United States
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200629
DTEND;VALUE=DATE:20200702
DTSTAMP:20260513T095821
CREATED:20231005T173152Z
LAST-MODIFIED:20231005T173152Z
UID:10000360-1593388800-1593647999@wagnersocietyny.org
SUMMARY:Der fliegende Holländer Seminar
DESCRIPTION:40th Annual Seminar \nPart 1:\nHans Rudolf Vaget\, Prof. Emeritus of German Studies\, Smith College\, “Der fliegende Holländer: The Jewish Connection: Wagner and Heinrich Heine” \nPeter Bloom\, Prof. of Humanities\, Emeritus\, Smith College\, “Der fliegende Holländer: The French Connection” – Joe Pearce\, President\, Vocal Record Collectors Society\, “Sentas: Known and Unknown” \nInterview with two cast members: Franz-Josef Selig (Daland) and David Portillo (Steersman). Interviewed by F. Peter Phillips. \nPart 2:\nVictoria Bond\, composer\, conductor/music director\, “Der fliegende Holländer: New Perspectives and Productions” \nJeffrey Swann\, Ph.D.\, Concert Pianist and Professor\, NYU\, “Wagner Discovers Beethoven: A new understanding\, revolutionized in Der fliegende Holländer” – Moderated by F. Peter Phillips \nSeminar Part 1:\n \nSeminar Part 2:
URL:https://wagnersocietyny.org/event/der-fliegende-hollander-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190331T000000
DTEND;TZID=UTC:20190331T000000
DTSTAMP:20260513T095821
CREATED:20231006T174214Z
LAST-MODIFIED:20231006T174214Z
UID:10000382-1553990400-1553990400@wagnersocietyny.org
SUMMARY:Seminar: “New Insights into Wagner’s Ring Cycle”
DESCRIPTION:Speakers: Assoc. Prof. Gundula Kreuzer\, Hannah Chan-Hartley\, Alexander K. Rothe\, Prof. Simon Williams; moderator: Robert J. Sweeney. Met Cast Roundtable: Christine Goerke\, Greer Grimsley\, Tomasz Konieczny\, Stefan Vinke. \n  \n  \n\n\n\n\n\n\n2019 Ring Cycle Seminar
URL:https://wagnersocietyny.org/event/seminar-new-insights-into-wagners-ring-cycle/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180218T000000
DTEND;TZID=UTC:20180218T000000
DTSTAMP:20260513T095821
CREATED:20231006T174237Z
LAST-MODIFIED:20231006T174237Z
UID:10000394-1518912000-1518912000@wagnersocietyny.org
SUMMARY:Parsifal Seminar
DESCRIPTION:Annual Seminar:  Parsifal. Speakers: William Kinderman\, Katherine Syer\, Sarah Kay\, Jeffrey Swann. Met Cast Roundtable: Evelyn Herlitzius\, Peter Mattei\, and Evgeny Nikitin. Moderator: F. Peter Phillips.
URL:https://wagnersocietyny.org/event/parsifal-seminar/
LOCATION:NY
CATEGORIES:Seminar
ATTACH;FMTTYPE=image/png:https://wagnersocietyny.org/wp-content/uploads/2023/10/Parsifal-Seminar_IMG_4921.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20161009T000000
DTEND;TZID=UTC:20161009T000000
DTSTAMP:20260513T095821
CREATED:20231006T174254Z
LAST-MODIFIED:20231006T174254Z
UID:10000401-1475971200-1475971200@wagnersocietyny.org
SUMMARY:Tristan und Isolde Seminar
DESCRIPTION:Tristan und Isolde Seminar: Donald Rosenthal\, Robert Sutherland\, Jeffrey Swann\, Hans Vaget\, and the Met  Tristan Cast Roundtable: Nina Stemme\, Ekaterina Gubanova\, Stuart Skelton\, and René Pape.  Moderator: Robert J. Sweeney.
URL:https://wagnersocietyny.org/event/tristan-und-isolde-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151025T000000
DTEND;TZID=UTC:20151025T000000
DTSTAMP:20260513T095821
CREATED:20231104T184247Z
LAST-MODIFIED:20231104T184247Z
UID:10000414-1445731200-1445731200@wagnersocietyny.org
SUMMARY:Tannhäuser Seminar
DESCRIPTION:Tannhäuser Seminar: Speakers: Dorothea von Mücke\, Marion Burleigh-Motley\, Joe Pearce\, Victor Callegari\, Ira Lieberman\, Sylvia Nolan\, Jasmin Cowin; Met Cast Roundtable: Eva-Maria Westbroek\, Michelle DeYoung\, Frank van Aken\, Peter Mattei\, Günther Groissböck. Robert Sweeney\, moderator. 
URL:https://wagnersocietyny.org/event/tannhauser-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20141207T000000
DTEND;TZID=UTC:20141207T000000
DTSTAMP:20260513T095821
CREATED:20231104T184307Z
LAST-MODIFIED:20231104T184307Z
UID:10000426-1417910400-1417910400@wagnersocietyny.org
SUMMARY:Die Meistersinger Seminar
DESCRIPTION:Seminar on Die Meistersinger. Speakers: Marian Burleigh-Motley\, Nicholas Vazsonyi\, Donald Palumbo\, Joe Pearce; Met principals; Annette Dasch\, Johan Botha\, James Morris. Moderator: Robert J. Sweeney.
URL:https://wagnersocietyny.org/event/die-meistersinger-seminar-2/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20131124T000000
DTEND;TZID=UTC:20131124T000000
DTSTAMP:20260513T095821
CREATED:20231104T184355Z
LAST-MODIFIED:20231104T184355Z
UID:10000439-1385251200-1385251200@wagnersocietyny.org
SUMMARY:Wagner and Strauss Seminar
DESCRIPTION:Wagner and Strauss Seminar\, with emphasis on  Die Frau ohne Schatten. Speakers: Vladimir Jurowski (conductor)\, J. Knighten Smit (director)\, Prof. Kevin C. Karnes\, Prof. Bryan Gilliam\, Joe Pearce; Met Cast Roundtable: Christine Goerke\, Anne Schwanewilms\, Ildikó Komlósi\, Johan Reuter. Moderator: Robert J. Sweeney. 
URL:https://wagnersocietyny.org/event/wagner-and-strauss-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20120205T000000
DTEND;TZID=UTC:20120205T000000
DTSTAMP:20260513T095821
CREATED:20231104T195107Z
LAST-MODIFIED:20231104T195107Z
UID:10000454-1328400000-1328400000@wagnersocietyny.org
SUMMARY:Götterdämmerung Seminar
DESCRIPTION:Götterdämmerung Seminar: Scholars: Marian Burleigh-Motley\, Will Crutchfield\, Ryan Minor\, Joe Pearce\, Hilan Warshaw; Met Cast Roundtable: Katarina Dalayman\, Wendy Bryn Harmer\, Hans-Peter König\, Jay Hunter Morris\, Iain Paterson.
URL:https://wagnersocietyny.org/event/gotterdammerung-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20110501T000000
DTEND;TZID=UTC:20110501T000000
DTSTAMP:20260513T095821
CREATED:20231104T195123Z
LAST-MODIFIED:20231104T195123Z
UID:10000470-1304208000-1304208000@wagnersocietyny.org
SUMMARY:Die Walküre Seminar
DESCRIPTION:Annual Seminar on  Die Walküre during the Met run. Distinguished scholars (Edward Haymes\, Joe Pearce\, Jeffrey Swann\, Hilan Warshaw)\, and Met Cast Roundtable: Sabine Hogrefe (Brünnhilde cover)\, Marjorie Elinor Dix\, Stuart Skelton\, and Jukka Rasilainen (Wotan cover).
URL:https://wagnersocietyny.org/event/die-walkure-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20100425T000000
DTEND;TZID=UTC:20100425T000000
DTSTAMP:20260513T095821
CREATED:20231104T195139Z
LAST-MODIFIED:20231104T195139Z
UID:10000482-1272153600-1272153600@wagnersocietyny.org
SUMMARY:Der fliegende Holländer Seminar
DESCRIPTION:Seminar on  Der fliegende Holländer. Speakers: Saul Lilienstein\, Hans Melderis M.D.\, Maestro Kazushi Ono\, Joe Pearce\, Hilan Warshaw; Met Cast Roundtable: Lori Phillips\, Stephen Gould\, Hans-Peter König\, Juha Uusitalo. Moderator: F. Peter Phillips.
URL:https://wagnersocietyny.org/event/der-fliegende-hollander-seminar-2/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20081207T000000
DTEND;TZID=UTC:20081207T000000
DTSTAMP:20260513T095821
CREATED:20231104T195210Z
LAST-MODIFIED:20231104T195210Z
UID:10000489-1228608000-1228608000@wagnersocietyny.org
SUMMARY:Tristan und Isolde Seminar
DESCRIPTION:Tristan und Isolde Seminar. Lectures by Marian Burleigh-Motley\, Joe Pearce\, Jeffrey Swann\, Prof. Hans Rudolf Vaget; Met Cast Roundtable. 
URL:https://wagnersocietyny.org/event/tristan-und-isolde-seminar-2/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20080203T000000
DTEND;TZID=UTC:20080203T000000
DTSTAMP:20260513T095821
CREATED:20231104T195313Z
LAST-MODIFIED:20231104T195313Z
UID:10000509-1201996800-1201996800@wagnersocietyny.org
SUMMARY:Die Walküre Seminar
DESCRIPTION:Annual Seminar\, on  Die Walküre. Speakers: Professors Edward Haymes and Robert Bailey\, Cori Ellison\, Joe Pearce\, Maestro Donald Runnicles; Met Cast Roundtable\, hosted by Lew Grenville\, moderator: Margaret Jane Wray (Sieglinde cover)\, Michelle DeYoung (Brangäne)\, and Clifton Forbis (Siegmund).
URL:https://wagnersocietyny.org/event/die-walkure-seminar-2/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20070311T000000
DTEND;TZID=UTC:20070311T000000
DTSTAMP:20260513T095821
CREATED:20231104T195402Z
LAST-MODIFIED:20231104T195402Z
UID:10000523-1173571200-1173571200@wagnersocietyny.org
SUMMARY:Die Meistersinger von Nürnberg Seminar
DESCRIPTION:Annual Seminar on  Die Meistersinger von Nürnberg. Speakers: William Wixom\, Hans Rudolf Vaget\, Nicholas Vazsonyi\, Joe Pearce\, Yuval Sharon\, Jonathan Khuner\, Raymond Hughes\, and Met Cast Roundtable (Clayton Brainerd\, Marie Plette\, Richard Brunner).
URL:https://wagnersocietyny.org/event/die-meistersinger-on-nurnberg-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20060423T000000
DTEND;TZID=UTC:20060423T000000
DTSTAMP:20260513T095821
CREATED:20231104T195450Z
LAST-MODIFIED:20231104T195450Z
UID:10000546-1145750400-1145750400@wagnersocietyny.org
SUMMARY:The Grail Operas Seminar
DESCRIPTION:Annual Seminar: “The Grail Operas.” Speakers: Professors Joseph Goering\, William Kinderman\, Katherine Syer\, and Benjamn Korstvedt\, Joe Pearce; Met Cast Roundtable\, hosted by F. Peter Phillips\, moderator; Luana DeVol (Ortrud)\, Kelly Cae Hogan (Elsa cover)\, Greer Grimsley (Telramund)\, and Simon O’Neill (Lohengrin cover).
URL:https://wagnersocietyny.org/event/the-grail-operas-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20041205T000000
DTEND;TZID=UTC:20041205T000000
DTSTAMP:20260513T095821
CREATED:20231104T195452Z
LAST-MODIFIED:20231104T195452Z
UID:10000552-1102204800-1102204800@wagnersocietyny.org
SUMMARY:Tannhäuser Seminar
DESCRIPTION:“Tannhäuser Seminar” Speakers: Prof. Robert Bailey\, Prof. Stephen R. Cerf\, Joe Pearce; Met Cast Roundtable\, hosted by Robert J. Sweeney)\, moderator: Michelle DeYoung\, Mark Lundberg (Tannhäuser cover)\, Charles Taylor (Biterolf). Production panel discussion\, hosted by Peter Allen: Phoebe Berkowitz (Tannhäuser stage director)\, Steve Brown (Met company manager)\, Diana Levy (ballet director)\, Sylvia Nolan (costume director). 
URL:https://wagnersocietyny.org/event/tannhauser-seminar-2/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20040425T000000
DTEND;TZID=UTC:20040425T000000
DTSTAMP:20260513T095821
CREATED:20231104T195539Z
LAST-MODIFIED:20231104T195539Z
UID:10000573-1082851200-1082851200@wagnersocietyny.org
SUMMARY:Das Rheingold Seminar
DESCRIPTION:Das Rheingold Seminar. Speakers: Dr. Árni Björnsson\, Prof. Patrick McCreless\, Erick Neher\, Joe Pearce\, and Alan Wagner. Met Cast Roundtable: Yvonne Naef (Fricka)\, Philip Langridge (Loge) and Richard Paul Fink (Alberich). Moderator: Lew Grenville.
URL:https://wagnersocietyny.org/event/das-rheingold-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20011118T000000
DTEND;TZID=UTC:20011118T000000
DTSTAMP:20260513T095821
CREATED:20231104T214012Z
LAST-MODIFIED:20231104T214012Z
UID:10000581-1006041600-1006041600@wagnersocietyny.org
SUMMARY:Die Meistersinger Seminar
DESCRIPTION:22nd Annual Seminar: Die Meistersinger. Speaker: Iain Scott\, Canadian writer & lecturer. Met Principals: Jill Grove\, Wolfgang Brendel\, Eike Wilm Schulte; Robert J. Sweeney\, moderator. Program included complete Meistersinger Act III\, Deutsche Oper Berlin Production on DVD. New York Geneaological Society\, 1:00-5:35 p.m.
URL:https://wagnersocietyny.org/event/die-meistersinger-seminar-3/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20001210T000000
DTEND;TZID=UTC:20001210T000000
DTSTAMP:20260513T095821
CREATED:20231104T214032Z
LAST-MODIFIED:20231104T214032Z
UID:10000593-976406400-976406400@wagnersocietyny.org
SUMMARY:Der fliegende Holländer Seminar
DESCRIPTION:21st Annual Seminar. Speakers: Prof. Simon Williams\, Erick Neher\, Prof. Robert Bailey\, Joe Pearce\, Prof. Mark Anderson; Robert J. Sweeney\, moderator. Discussion with Met principal Roland Wagenführer (Erick). At P.S. 6\, Lillie Blake Auditorium\, noon-5:00 p.m.
URL:https://wagnersocietyny.org/event/der-fliegende-hollander-seminar-3/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19991114T000000
DTEND;TZID=UTC:19991114T000000
DTSTAMP:20260513T095821
CREATED:20231104T214048Z
LAST-MODIFIED:20231104T214048Z
UID:10000606-942537600-942537600@wagnersocietyny.org
SUMMARY:Tristan und Isolde Seminar
DESCRIPTION:20th Annual Seminar: Speakers Prof. Arthur Groos\, Prof. Carolyn Abbate\, Prof. Henry Hall Peyton\, III\, Prof. Emerita Patricia Sloane\, Joe Pearce; Robert J. Sweeney\, moderator. Met Principals: Richard Paul Fink and René Pape. At P.S. 6\, Lillie Blake Auditorium\, noon-5:00 p.m.
URL:https://wagnersocietyny.org/event/tristan-und-isolde-seminar-3/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19990109T000000
DTEND;TZID=UTC:19990109T000000
DTSTAMP:20260513T095821
CREATED:20231105T004045Z
LAST-MODIFIED:20231105T004045Z
UID:10000638-915840000-915840000@wagnersocietyny.org
SUMMARY:The Ring Seminar
DESCRIPTION:Our 19th annual seminar. Speakers: Prof. Emerita Jenny Jochens\, Erick Neher\, Prof. Robert Bailey\, Prof. Jeffrey Buller\, Geoffrey S. Riggs; Robert J. Sweeney\, moderator. Rountable participants: Maestro Zdenek Macal\, Music Director\, NJ Symphony; Clayton Brainerd\, bass-baritone. Phillips Hall of Christ Church United Methodist\, 60th and Park\, noon-5pm
URL:https://wagnersocietyny.org/event/the-ring-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19980322T000000
DTEND;TZID=UTC:19980322T000000
DTSTAMP:20260513T095821
CREATED:20231105T004117Z
LAST-MODIFIED:20231105T004117Z
UID:10000652-890524800-890524800@wagnersocietyny.org
SUMMARY:Lohengrin Seminar
DESCRIPTION:Our 18th annual seminar. Speakers: Cori Ellison\, dramaturg\, New York City Opera; Rosamund Bartlett\, Ph.D.; Robert Wilson\, director/set designer for Met Lohengrin; Geoffrey S. Riggs; Robert J. Sweeney\, moderator. Met principals: Deborah Polaski\, Edward Cook\, Richard Paul Fink\, Eric Halfvarson. Robert F. Wagner Intermediate School\, 1-5:30pm
URL:https://wagnersocietyny.org/event/lohengrin-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19970420T000000
DTEND;TZID=UTC:19970420T000000
DTSTAMP:20260513T095821
CREATED:20231105T004204Z
LAST-MODIFIED:20231105T004204Z
UID:10000667-861494400-861494400@wagnersocietyny.org
SUMMARY:Siegfried Seminar
DESCRIPTION:Seventeenth Annual Seminar; Siegfried. Speakers: Peggy McCracken\, Ph.D.;William Fregosi; Anthony Barone\, Ph.D.; Joe Pearce; James K. Holman; Lew Grenville\, moderator. Met principals: Hildegard Behrens\, Graham Clark\, Wolfgang Schmidt\, Ekkehard Wlaschiha; Ingrid Budde (translator). P. S. 6\, Lillie Blake Auditorium (45 East 81st Street);  Sunday\, 12:00 noon-5:00 p.m.
URL:https://wagnersocietyny.org/event/siegfried-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19950409T000000
DTEND;TZID=UTC:19950409T000000
DTSTAMP:20260513T095821
CREATED:20231105T012617Z
LAST-MODIFIED:20231105T012617Z
UID:10000716-797385600-797385600@wagnersocietyny.org
SUMMARY:Parsifal Seminar
DESCRIPTION:Fifteenth Annual Seminar: Parsifal. Speakers: Daniel Kletke\, Ph.D.\, Erick Neher\, Anthony Barone\, Ph.D.\, Prof. Dr. Jürgen Maehder\, Evan Baker\, Ph.D.; Lew Grenville\, moderator. Met principals: Dame Gwyneth Jones\, John Keyes\, Raymond Hughes\, chorusmaster. William Sherman Public School 87; Sunday\, 12:00 noon-5:00 p.m.
URL:https://wagnersocietyny.org/event/parsifal-seminar-2/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19940410T000000
DTEND;TZID=UTC:19940410T000000
DTSTAMP:20260513T095821
CREATED:20231105T012546Z
LAST-MODIFIED:20231105T012546Z
UID:10000704-765936000-765936000@wagnersocietyny.org
SUMMARY:Wagner/Strauss Seminar
DESCRIPTION:Fourteenth Annual Seminar: Wagner/Strauss. Speakers: Leon Botstein\, Ph.D.\, Prof. Bryan Gilliam\, Joe Pearce\, Erick Neher (slide presentation)\, Maestro Valery Gergiev (surprise guest speaker); Robert J. Sweeney\, moderator. Met principals: Hildegard Behrens\, James King\, Wolfgang Schmidt; Ingrid Budde (translator). William Sherman Public School 87 (160 West 78th Street); Sunday\, 12:00 noon-5:00p.m.
URL:https://wagnersocietyny.org/event/wagner-strauss-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:19930116T000000
DTEND;TZID=UTC:19930116T000000
DTSTAMP:20260513T095821
CREATED:20231105T012440Z
LAST-MODIFIED:20231105T012440Z
UID:10000682-727142400-727142400@wagnersocietyny.org
SUMMARY:Meistersinger Seminar
DESCRIPTION:Thirteenth Annual Seminar: Die Meistersinger. Speakers: Prof. Robert Bailey\, Dale Harris\, Saul Lilienstein (slide presentation)\, Joe Pearce; Lew Grenville\, moderator. Met Principals: Gwynne Geyer\, Wendy White\, Francisco Araiza\, Sir Donald McIntyre\, Hermann Prey. Robert F. Wagner Intermediate School Auditorium (220 East 76* Street); Saturday\, 12:00 noon-5 :00 p.m.
URL:https://wagnersocietyny.org/event/meistersinger-seminar/
LOCATION:NY
CATEGORIES:Seminar
END:VEVENT
END:VCALENDAR