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DTSTART;VALUE=DATE:20261106
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DTSTAMP:20260507T190821Z
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UID:10000818-1793923200-1794614399@wagnersocietyny.org
SUMMARY:Paris Ring 2026
DESCRIPTION:The Wagner Society of New York has obtained a block of tickets for the first cycle of the complete Ring des Nibelungen from November 6-13 2026 at Opéra Bastille\, Paris\, France. This offer is available only to WSNY Members of record as of November 11\, 2025. \n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are in the ‘Category 1’ of the Orchestra (Parterre/Stalls) section for the operas of the first Ring Cycle (Das Rheingold 6 November 2026\, Die Walküre 7 November 2026\, Siegfried 10 November 2026\, Götterdämmerung 13 November 2026). The cost is $1000.21 for one ticket to each opera (a complete Ring Cycle)\, reflecting a $909.28 ticket cost and a $90.93 contribution to the WSNY. In addition to tickets for the complete Cycle\, purchasers also receive access to the entire cultural program linked to the Festival\, and light refreshments during the first intervals. For complete information and questions about subscription benefits please consult the Opéra de Paris online HERE. \n\n\n\n\n\n\n\n\n\n\nTicket sales open on Sunday\, November 30 at 12:00 noon EST and close on Thursday\, April 30 2026 at 12:00 EST or when sold out. Purchase requires the payment of $1000.21 per ticket\, payable online via credit card. Your purchase guarantees your tickets\, which will be allocated once sales have closed. Limit two tickets per member. \nAfter availability has been fulfilled\, you may join the waitlist to be notified of possible further availability \n\n\n\n\n\n\n\n\n\n\nAllocations will begin once sales are complete. The Wagner Society of New York has priced tickets at the EUR-USD exchange rate to which it was subject at the time of purchase on your behalf\, and has added a 10% contribution portion to the total ticket price. All sales are final. Tickets will be downloadable as PDF print-at-home E-Tickets. They are not personalized or inscribed with the name of the purchaser. The Wagner Society of New York is not able to assist with transportation\, lodging\, or other travel arrangements.
URL:https://wagnersocietyny.org/event/paris-ring-2026-request/
LOCATION:Opéra Bastille\, Pl. de la Bastille\, Paris\, 75012\, France
CATEGORIES:Concertgoing
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DTSTART;TZID=America/New_York:20261112T183000
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DTSTAMP:20260921T125727Z
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UID:10001281-1794508200-1794511800@wagnersocietyny.org
SUMMARY:The End as Beginning
DESCRIPTION:Every work of Wagner’s maturity is unique and self-contained\, and yet Parsifal stands apart from the others. In a way\, the composer steps back from his world-changing musical innovations\, his constant dramatic and philosophical preoccupations\, and asks “suppose all that is now settled or transcended; what then?” The “stage-consecration festival play” is less a summation of his life’s work than the opening of a new pilgrimage that one life could never be sufficient to complete. \nAbout the speaker: Will Crutchfield has divided his opera career between conducting\, musicology\, and education. As Director of Opera for the Caramoor International Music Festival from 1997 to 2017\, he conducted over 30 titles by Rossini\, Donizetti\, Bellini and Verdi with the Orchestra of St. Luke’s and soloists including Lawrence Brownlee\, Angela Meade\, Vivica Genaux\, Hao Jiang Tian\, Ewa Podleś\, Sumi Jo\, Jennifer Larmore\, Georgia Jarman\, John Osborn\, Michael Spyres\, and Hei-Kyung Hong. He has also held posts as Music Director with the Opera de Colombia (Bogota) and Principal Guest Conductor of the Polish National Opera (Warsaw)\, and has made guest appearances with many theaters\, including the Rossini Opera Festival (Pesaro)\, the Canadian Opera Company\, the Washington National Opera\, and the Minnesota Opera among others. For Ricordi and the Fondazione Rossini he prepared the critical edition of Aureliano in Palmira\, also conducting the production at Pesaro that won first place as “Best Rediscovered Work” in the 2015 International Opera Awards. In the same year he was named a Fellow of the Guggenheim Foundation in recognition of his operatic work\, and in 2017 he was named as one of Musical America’s 30 “Movers and Shapers” for his leadership in innovative training and performance. In 2020 he was featured in The New York Times for his first-ever reconstruction of Beethoven’s sketches for the lost tenor aria from the1805 opera Leonore. His other reconstructions include Donizetti’s unfinished Symphony in E Minor\, the only known full-scale concert symphony by a major Italian composer of the 19th century. He has contributed articles on historical performance practice to the New Grove Dictionary of Music and Musicians and numerous scholarly journals\, and is currently completing a book on the same subject for Oxford University Press. \nThe event will be followed by a social hour with refreshments. \n\nWSNY Members receive livestream link automatically by e-mail; no need to pre-register. Livestream/re-stream viewable up to 36 hours after the start of the event.
URL:https://wagnersocietyny.org/event/the-end-as-beginning/
LOCATION:National Opera Center\, 330 Seventh Avenue\, 7th Floor\, New York\, NY\, 10001\, United States
CATEGORIES:Lecture
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