Shawn Roth in Recital, April 2025
Bayreuth 2023 Walking Tour
2023 Bayreuth Stipendiat Joseph Parrish
Hans Vaget on Wagner & America, February 2024
Hans Vaget facing two guests and speaking during the post-lecture reception.
2024 Bayreuth Stipendiaten
Daniel Goldmark: "Wagner’s Music in Classic Hollywood Cartoons" 2023
The Creation of the Ring with Michael Downes, June 2025
Jakob Lehmann on Bruckner & Wagner March 2025
Catherine Foster interview, Bayreuth 2023
Thomas Guggeis on Conducting Wagner, June 2023
October 2024 talk with opera prompter Craig Rutenberg
Shanley Horvitz in Recital, May 2023
Tannhäuser Seminar 2023 Met Cast Roundtable: Elza van den Heever, Ekaterina Gubanova, George Zeppenfeld, Christian Gerhaher, David Shengold.
Bayreuth Backstage Tour 2026
Conductor Tengku Irfan on his experience as a Bayreuth Scholarship Award Winner
Jeffrey Swann, 2023 Lohengrin Seminar
Vocal Showcase, Feb. 2023
Sadie Cheslak & Alec Carlson in Recital 2025
Sadie Cheslak & Alec Carlson in Recital 2025
Piotr Beczała Interview 2019
Masterclass with Scott Carlton and Carole Farley, Sept. 2022
Wagner & Howard Shore's Lord of the Rings Score with Doug Adams, January 2025
Upcoming Events

Five-Part Course: Wagner's Tristan und Isolde

February 3
6:00 pm - 7:30 pm
The Juilliard School
60 Lincoln Center Plaza
New York, NY 10023 United States

A Five-Part Course exploring Tristan und Isolde: since its premiere in 1865, the work has exerted an overwhelming impact on audiences. To understand Wagner’s world of longing, night, and death, explore Tristan in a variety of ways, starting with the sources, the creation of the libretto, and the genesis of the work. The primary focus of the course is on Wagner’s use of erotically-charged chromatic harmonies, an orchestral web of leitmotifs, and subtle orchestration to embody the inner, psychological world of his characters and the overall musical drama. In collaboration with Juilliard Extension.

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Wagner Notes

Tristan und Isolde at the Deutsche Oper Berlin, which premiered on November 1, 2025, is not entirely new since it is a coproduction with the Grand Théâtre of Geneva and was premiered there […]