Lise Davidsen stands next to Yannick Nézet-Séguin at the podium and holds his hands

How Mahler would have loved the Met Orchestra! It played with such presence, such enormous expressivity, clarity and strength that all the extremes Mahler inserted into his hard-won Fifth Symphony came across brilliantly. Mahler, like Mozart, frequently wrote marches. But whereas Mozart’s were purely musical, as a means of generating material for musical development, Mahler’s marches might be said to express[...]

Andrew Rombakis
January 2024

San Francisco Opera recently presented six performances of Lohengrin (Oct. 15 – Nov. 1) that left an indelible mark on its audience. Eun Sun Kim, the company’s Music Director, ventured […]

Harlow Robinson
September 2022

The Hollywood Bowl–site of so many glittering performances under the balmy Southern California skies–is celebrating its 100th anniversary this summer. Wagner was invited to the birthday party, which seems only […]

This is a Wagner newsletter, and I am writing about Strauss, but there is an important Wagner connection to Ariadne, perhaps less a connection than a push-back. Hofmannsthal and Strauss […]

Susan Brodie
March 2022

Gallons of ink have been spilled in praise of the ravishing instrument that soprano Lise Davidsen brought to the opera world when she burst on the scene in 2015. It […]