The Atlanta Opera’s recent performances of Götterdämmerung (May 30; June 2, 6, and 7) marked the capstone of a Ring project that formally began with Das Rheingold in 2023, though its origins reach back much further. When Israeli-born Tomer Zvulun spoke to the Wagner Society of Santa Fe last summer, he described a vision that had taken shape over more than a decade. Upon his arrival in Atlanta in 2013, he set two[...]